REVIEW EXCERPTS
"(White Bird Black Song)" an interesting performer...accompanied by provocative sounds and visual elements..." Deborah Jowitt Village Voice 1997
(Wilderness) "Cobb's choreography was full of black-comedic misconnections that underscore the triste in every tryst. " Pasa Tiempo, (Santa Fe) 1990
"...Ladder in the Garden has a disturbing, dreamlike quality in which things once familiar suddenly become eerie. We cannot explain it, yet it has a certain logic all its own...Cobb's vision conjures up whole environments based in the fleeting logic of dreams. “ Dance Magazine, 1989
"In House of Drawn Shades choreographer Cobb did a remarkable job of realizing the 'logic' of a dream. The dance took a tangle of images and incorporated it into the web--much the way the subconscious will adapt a noise from the waking world into a dream.” The Pittsburgh Press, 1988
"Cobb designs the stage space carefully and can create a very precise atmosphere in which the oddities of her vision exist within perfect logic . . . " Burt Supree Village Voice, 1986
"Cobb has an interesting mind . . . attempting to create a mosaic of unrelated images of a bizarre or dreamlike nature . . . " Deborah Jowitt Village Voice, 1985
Amelia's Breakfast "The evocative piece, in which Ms. Cobb strolled stretching with wing-arms as if testing air, bravely engaged." Jennifer Dunning New York Times, 1981